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Abstract
As a single parent making the most of my time and materials is paramount in balancing my daily responsibilities with my art practice. My work at UNCG became less dependent on personal documentation, aiming towards inclusive, experiential pieces and modes of production. My projects varied in scale, but were created through incremental, propulsive tasks that culminated in reconstructed paper forms. Sometimes compacted, often expansive, these forms exhausted the materials they were sourced from.