1.
This project was intended to provide applied bassoon teachers with an overview of the foundational concepts of Edwin Gordon’s Music Learning Theory and to provide example[...]
2024 | English |
2.
The IDRS 2003 Conference in Greensboro North Carolina had a theme of "pedagogy revisited" and one of the events consisted of a Bassoon Pedagogy Round Table in which sever[...]
2004 | Text | English | Faculty and Staff Works |
3.
1 score (7 pages) +32 cm. Includes Le je-ne-scay-quoy from Concert no. 9. For two violoncellos, two bassoons or violoncello and bassoon. Originally for unspecified instru[...]
4.
Dedicated to Eileen Marie Gress and Victor Benedict.
1992 | Music | Harold Schiffman Archive |
5.
This paper applies macro concepts of athletic endurance training to music performance by adapting a running training plan into a multi-week bassoon practice sequence lead[...]
2017 | Text | English | Dissertations |
6.
A diagram of reed dimensions for woodwind instruments (bassoon)
2005 | Text | English | Faculty and Staff Works |
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8.
As a bassoonist, I have often been asked how to choose students suitable for switching-to or starting-on the double reed instruments. Below I will outline some of the cri[...]
1999 | Text | English | Faculty and Staff Works |
9.
Between 1970 and 2005 former students of Norman Herzberg held a majority of the bassoon positions in major orchestras throughout the United States. Herzberg's varied musi[...]
2008 | English |
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11.
diagram of reed dimensions for woodwind instruments (bassoon)
2005 | Text | English | Faculty and Staff Works |
12.
A diagram of reed dimensions for woodwind instruments (bassoon)
2005 | Text | English | Faculty and Staff Works |
13.
A Step-by Step Description of the Construction of the Reed for Woodwind Instruments
2005 | Text | English | Faculty and Staff Works |
14.
A diagram of reed dimensions for woodwind instruments (bassoon)
2005 | Text | English | Faculty and Staff Works |
15.
The bassoon is a unique instrument with a characteristically quirky and idiosyncratic sound. In terms of modern instrument development it also is something of a dinosaur,[...]
2007 | Text | English | Faculty and Staff Works |
16.
Manuscript fragments of the Septet, violoncello part only. Septet is for clarinet, horn, bassoon, violin, viola, violoncello and double bass. Manuscript in ink in the han[...]
17.
18.
Instrumentation: fl, cl, ob, bsn, hn, vln I, vln II, vla, vc, cb. Dedicated to Max Lifchitz and North/South Consonance's 30th season.
2009 | Music | Harold Schiffman Archive |
19.
Instrumentation: ob, bsn, hn, vln, vc, pno. Dedicated to Max Lifschitz. Includes some pencil corrections.
1993 | Music | Harold Schiffman Archive |
20.
The purpose of this study was to determine the effectiveness of acoustic shields at reducing sound levels experienced by a bassoonist during rehearsals of two professiona[...]
2009 | English |
21.
Reedmaking instructions and tips (bassoon)
2005 | Text | English | Faculty and Staff Works |
22.
This article deals with response problems, low notes, high notes, cracking and questionable intonation in the bassoon.
2002 | Text | English | Faculty and Staff Works |
23.
Handwritten score. Bassoon part only.
1976 | Music | Harold Schiffman Archive |
24.
Dedicated to Janet Worth. Handwritten score.
1976 | Music | Harold Schiffman Archive |
25.
This article is aimed at giving a few suggestions and strategies for teaching the bassoon embouchure that I have learned over the past several years of teaching at the Un[...]
2004 | Text | English | Faculty and Staff Works |